Anderson O'Brien Fine Art

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•••Jean Jack•••

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OldMarket    all    
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Listing 10 Works   |   Viewing 1 - 10
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•••Jean  Jack••• Five O_Clock
Five O'Clock
40 x 40 in
$ 5,800
 
•••Jean  Jack••• Grain Elevator _3
Grain Elevator #3
48 x 40 in
$ 6,200
 
•••Jean  Jack••• Hillside Farm
Hillside Farm
48 x 60 in
$ 7,200
 
•••Jean  Jack••• Look Out _2
Look Out #2
60 x 72 in
$ 8,800
 
•••Jean  Jack••• Missouri Plains
Missouri Plains
48 x 36 in
$ 5,800
 
•••Jean  Jack••• Propped Up
Propped Up
30 x 30 in
$ 4,500
 
•••Jean  Jack••• Red Hay Rack
Red Hay Rack
40 x 40 in
$ 5,800
 
•••Jean  Jack••• River Farm
River Farm
40 x 48 in
$ 6,200
 
•••Jean  Jack••• Tilting Barns
Tilting Barns
48 x 48 in
$ 6,800
 
•••Jean  Jack••• Wisterea
Wisterea
20 x 24 in
$ 2,500
 

3, 6, 12, 24, 48, 120, Works per page

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•••Jean  Jack•••

•••Jean Jack•••

•••Jean Jack••• Description

After living in Santa Fe, New Mexico for the past 20 years, Jean and her husband came home to the east coast and settled in Portland, Maine.  Jean studied with Marshall Glazier and Leo Manso at the Art Students League in New York City, and she has been painting images of buildings in landscapes for many years.  Her paintings have won numerous awards from an impressive roster of judges, including Will Barnet. She received the prestigious Champion International Corporation Award at the Silvermine Guild Center for the Art (New Canaan, CT) in 1985.

 

In her new series of paintings, Jean Jack again takes the relationship between landscape and buildings as the initial departure point for the formal investigations of her paintings. The buildings fit themselves into the landscape, and the sky fills in the spaces between the two. In the traditional regionalist parlance, the way this triangle of specifics interrelates is called a 'sense of place'.

 

There is a poignant sense of unease and even loneliness in the places Jack paints, however, which is underscored by her dramatic contrasts of complementary colors, and her equally dramatic transitions between reality and unreality. Despite Jack's use of very real houses and churches as models, these are realistic paintings only in a sense. 'Idealistic' is perhaps a better word for the convincing power of the very simplified forms and colors. These bright, sensitive paintings are more of an exquisite arrangement of elements that express an essential feeling about houses in the country from California to Maine rather than a view out of a window. 

 

It could be asked why these images of houses are so appealing. They are, after all, even lonelier than Edward Hopper's paintings, and even more abstract than the homespun universal truths of folk art. In the most literal way, houses are an immediate necessity in our lives. They provide us with shelter and warmth, social status and a physical place in our community. Our homes are also a metaphor for who we are, who we wish we were, and where we want to be. According to the language of dreams, houses are even symbols of ourselves: complex interrelationships of interior and exterior realities, unconscious and conscious lives. Jean Jack has a talent for presenting these many layers of meanings in a few deft strokes of color, or a few carefully chosen shapes.

 

Perhaps most importantly, Jack conveys the quiet dignity of these architectural shapes as she rearranges them, tries them out from different perspectives, composes them in varying color relationships, and emphasizes the specific beauty of different forms. One senses that she becomes close to her subjects in the way that other artists grow attached to their human models. She paints variations of specific houses from different perspectives and at different times of the year. She loves these buildings for their imperfections and idiosyncrasies; and it is both impossible and unimportant to know exactly when or where these places exist, because they are creations of the artist.

 

We love our homes because of the intimate details we come to know about them: the way light and shadows settle in our memories. Jean Jack knows how to capture the details.

•••Jean Jack••• Statement

America’s Heartland influences the bulk of my work. Utilitarian structures that have a weather history are far more hauntingly lonely expressions than the congestion of suburban city life. Shapes occurring by circumstance intrigue me far more than deliberate artifice.

•••Jean Jack••• Resumé

EDUCATION

Art Students League 1960-1962, 1970, 1978

 

SHOWS

2016 Portland Art, Portland, ME

2015 Blueprint Store, Dallas, TX

2014 Gallery at the Grand, Kennebunk, ME

2013 Field Gallery, Martha’s Vineyard, MA

2013 Gallery at the Grand, Kennebunk, ME

2012 Field Gallery, Martha’s Vineyard, MA

2011 Paul Scott Gallery, Scottsdale, AZ

2011 Gallery C, Raleigh, NC

2010 Flinn Gallery, Greenwich, CT

2009 Firehouse Gallery, Damariscotta, ME

2008 Gallery C, Raleigh, NC

2007 Firehouse Gallery, Damariscotta, ME

2007 Tucker Gallery, Evanston, IL

2006 Tucker Gallery, Evanston, IL

2006 Firehouse Gallery, Damariscotta, ME

2005 JW Gallery, New Hope, PA

2005 KGS Gallery, Katanoh, NY

2005 Amuse Gallery, Columbus, OH

2005 Firehouse Gallery, Damariscotta, ME

2004 KGS Gallery, Katanoh, NY

2004 JW Gallery, New Hope, PA

2003 Blue Heron Gallery, Burlington, VT

2002 Wild Goose Chase, Orange, CA

2002 Flinn Gallery, Greenwich, CT

2001 Wild Goose Chase, Orange, CA

2000 Wild Goose Chase, Orange, CA

1999 Wild Goose Chase, Orange, CA

1998 William Talbot Gallery, Santa Fe, NM

1997 William Talbot Gallery, Santa Fe, NM

 

CORPORATE COLLECTIONS

Brown Forman, Louisville, KY

Ocean Media, Newport Beach, CA

Taylor Bean and Whitaker, Ocala, FL

Her Reality, Columbus, OH

Skyda Financial, Sausalito, CA

Farm Credit, Omaha, NE

National Pork Producers Council, Washington, D.C.

 

HONORS

1976 Sponsors Award Carlos Duyer , Judge, Aldrich Museum, 

1977 Sponsors Award Wade Jackson, Judge, Guggenheim Museum, NYC

1978 1st Place Oil, Rowayton Arts Center, CT

1979 New York Graphics Award, Aldrich Museum, CT

1980 General Cable Award, Suny Judges Choice Award, Susan Delehanty, Director Neuberger Museum, New York

1984 Sponsers Award, Jaqueline Moss, Art Historian – Lecturer

1985 Silvermine Galleries, Champion International Award, Judge, Carol Launcher, Curator, Museum Of Modern Art, NYC

1986 Elizabeth Fahle Award, Silvermine Gallery

 

PUBLICATIONS

2003 Best of Country

2002 Country Living Magazine

1999 Country Living Magazine

 

MEDIA

2002 HGTV

1999 HGTV

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Anderson O'Brien Fine Art Old Market | 1108 Jackson Street, Omaha, NE 68102
(p) 402.884.0911 | (f) 402.884.0932
gallery@aobfineart.com

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